Drawing from memory, landscape and myth, Andy Barrt’s black-and-white compositions carry an almost hypnotic intensity—ornamental yet deeply personal. Adapting his work to performance art, the

A 40kg block of Carrara marble slowly dissolves in 'Liquifact' (2017) by German artist Lukas Liese. At first, it reads as permanence—stone, weight, monument. But

Plastic sheets drift and dance in the wind, turning an ordinary moment into something that feels like performance art—or an accidental museum installation. Echoing the

The sarcastic brilliance of the 'Passport Photos' project by artist Max Siedentopf. What started as a dull passport renewal appointment turned into a sharp conceptual

'Squaring the Circle' (2013) is a minimal structure that appears to resolve an impossible geometric problem: Turning a square into a circle. The work plays

Chinese barber Lao Qiao transforms hair into sculptural performance—shaping it into forms that resemble oversized blades, switchblades and sharp-edged objects. What is usually a routine

Ted Lawson is an American artist whose practice sits at the intersection of technology, perception and the human body. Known for using biometric data and

In 'Nested Loops', Chuck Hoberman explores geometry in motion through an expanding and contracting structure made of interlinked rings. Known for his transformable designs, Hoberman

From choreographer and performer Jamal Sterrett, this movement piece draws from the eerie, liminal atmosphere of the “backrooms” aesthetic—echoing the disorientation of films like Inception.

Museums News visited 'David Hockney: A Year in Normandie and Some Other Thoughts about Painting' at the Serpentine North Gallery. The exhibition brings together new